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Download Now Server 1 Download Now Server 2 Download Now Server 3 Originally published by OurType, Dan Milne’s Tasman has found a new home at Retype. Milne first conceived Tasman as a typeface for newspapers. This influenced the proportions and look of the face considerably: the goal was to keep the personality as warm and playful as possible without losing the credible tone required to deliver all kinds of news. A sturdy, warm type family that is neither mechanical nor fragile. It borrows its name from Abel Janszoon Tasman (1603–1659), a Dutch seafarer, explorer, and merchant who mapped parts of Australia in 1642, including Van Diemen’s Land (now known as Tasmania). Tasman’s primary purpose is an unbiased presentation of information; it strives for neutrality over elegance. Its characters are sturdy and unambiguous, sporting strong serifs, punctuation, and diacritics, as w

Download Now Server 1 Download Now Server 2 Download Now Server 3 Astrup is a rationalist sans serif typeface. Its letterforms feel like the France of the 1950s; they are very orderly, but also a bit spritely. The letters’ apertures are very small, making the counterforms in typeface feel like they are being completely enclosed within their surrounding characters. The Astrup family has six weights that range from Extralight to Bold. The lowercase letters’ ascenders rise up to the exact height of the tops of the capital letters. Each font has two versions for each numeral; the standard numerals are slightly smaller than that capital letters. The other numerals are substituted into all-caps text by the fonts’ case-sensitive OpenType feature. These alternate numerals are the same size as the capital letters. Astrup’s fonts also have a full range of superior and inferior numerals

Download Now Server 1 Download Now Server 2 Download Now Server 3 Matteo is a family of geometric sans serif fonts. Designer Diana Ovezea has given the family an Italian name so that users might call fast cars to mind when they see it. The family includes 14 styles; there are seven weights, ranging from Thin to Bold. Each of these includes a companion italic. Matteo’s italics have an extreme angle (15º), which is quite unusual for a sans serif design. These italics are oblique in form, with a single-storey ‘a’ in place of the upright’s double-storey ‘a’. Matteo is an excellent selection for use in editorial and corporate identity designs, as well as advertising or annual reports. The shapes of its letterforms, as well as their spacing, have been optimized to create a pleasant reading experience, even in longer texts. The most prominent feature of the typeface is its geometric

Download Now Server 1 Download Now Server 2 Download Now Server 3 Kelpt Sans is an altered modified from the form of the original Kelpt typeface. Designed to be more Corporate, the font family has flat terminals that harmonizes with sharp corners. With all of these features, “Kelpt Sans” is a prominent, eye-catching and unique typeface. It comes with 9 weights with 2 Hight options in order to suit for a multifunctional usage, especially for cooperative work, such as website, magazine, editorial, publishing, as well as packaging. Download Kelpt Sans Font Family From Typesketchbook Download Kelpt Sans Font Family From Typesketchbook

Download Now Server 1 Download Now Server 2 Download Now Server 3 Passenger Serif is a Clarendon-style font family designed for use in long passages of text intended for immersive reading. It takes the idea of mid-nineteenth century English Clarendon types – like vertical axes of stress, lots of ball terminals, and chunky bracketed-serifs – and channels them into a face that is very legible in small sizes. It is comfortable to read, too. Passenger Serif is ready for use in editorial design, and for body text in novels and other books, too. The family includes seven weights, ranging in style from Extralight through Extrabold. Each weight has both an upright font and an italic on offer. The fonts’ default numerals are proportionally-spaced lining figures. Via the OpenType features, there are also oldstyle figures and tabular figures available, as well as a full range of numerat

Download Now Server 1 Download Now Server 2 Download Now Server 3 Semi-serif? Semi-sans? Emerging from the hazy border that divides Sans from Serif, Integra aims to integrate both styles in a cool, elegant, contemporary fashion. With its sleek anatomy, flared terminals and almost non-existent straight lines, Integra was inspired by the stressed, modulated, unserifed letterforms incised in the early 15th-century ledger tombs at Santa Croce church in Florence, and the neoclassical grotto inscriptions at Stourhead in England that dates from the mid 18th-century. Integra, however, gives a contemporary, even futuristic twist to these references by featuring original, audacious shapes on key letters like L, E and X; as well as with the modern, generous proportions of its lowercase; infusing it all with a flowing, luminous, Latin American feel. Integra comes in several weights and i

Download Now Server 1 Download Now Server 2 Download Now Server 3 Mexica is a typographic tribute to Nahuatl, the tongue of the Aztecs, but also the lingua franca of ancient Mexico. ‘Mexica’ is not only the feminized, latinized form of the word ‘Mexico’, but also the name of the inhabitants of this place: the Me-xic-cah. Nahuatl, when composed in the Latin alphabet, abounds in diagonal letter shapes: XYZ are ubiquitous in its classic orthography, just as KW are in its modern one. This visual feature is further enhanced by the absence of some rounded letters such as BDG that depict inexistent sounds in this millenarian tongue. Besides, Nahuatl is language with a tendency to form very long words that give the text quite a distinct appearance, unlike English, for instance, with its abundance of short words. Mexica was designed to look well in all these contexts, and to perform a

Download Now Server 1 Download Now Server 2 Download Now Server 3 A font intended to convey brands and stories, to become a logo or a headline, created by graphic designer Victor Bartis. Displaying personality, vitality, a bit of playfulness and a bit of elegance, it is made to capture the attention. It is inspired by peculiar, quirky and artistic graphic design. Download Glysa Font Family From VB Studio Download Glysa Font Family From VB Studio

Download Now Server 1 Download Now Server 2 Download Now Server 3 Kondolarge is a slab serif typeface developed from our successful Kondolar in 2011. Based on a simple skeleton, straight sides, gently curved horizontals and sturdy serifs, Kondolarge is a bit more geometric than the prior. It is suitable for both text and display. With a well-built character set including small caps and several numeral styles. The font comes in 9 styles, ranging from a delicate Thin to Black, with matching italics, resulting in a total of 18 weights. Kondolarge contains a set of 800 characters that support over 200 Latin-based languages. Download Kondolarge Font Family From TypeK Download Kondolarge Font Family From TypeK

Download Now Server 1 Download Now Server 2 Download Now Server 3 Bio Sans Soft is a super neutral sans-serif family for text designed by Ryoichi Tsunekawa and the whole family consists of 6 weights from ExtraLight to ExtraBold and their matching Italics. The basic concept of this family is the same as Bebas Neue which is the our most popular free font and used all over the world, that is to say, Neutral, Natural, Minimal, Harmless, Super-flat, Transparent and Legible. The basic skeleton of their letterform was designed geometrically and the sophisticated design gives them universality, neutrality and sense of unity for the use in all media, all purposes and their large x-heights makes this family legible and readable even on small size screen. Bio Sans supports almost all European languages: Western, Central, South Eastern Europeans and Afrikaans. And proportional figures,

Download Now Server 1 Download Now Server 2 Download Now Server 3 Adso was born out of a research that studied the possibility of reintroducing Gothic writing in our contemporary world. Inspired by Textura, Adso was decidedly freed of all those little details that make Blackletter faces appear foreign or even displeasing to the contemporary reader’s eyes. Nevertheless, the basic features of Gothic color were preserved: verticality, modularity, and darkness. Adso is a gothic font for today’s age, highly readable and open to all fields of expression. Download Adso Font Family From Alfab Download Adso Font Family From Alfab

Download Now Server 1 Download Now Server 2 Download Now Server 3 Cyntho Next Slab is a totally reworked typeface based on our previous bestseller Cyntho Slab Pro. Cyntho Next Slab is the slab serif companion to Cyntho Next . It is a modern geometric slab serif based on a hybrid waterdrop-like shape with extensive language support including Cyrillic, rich with OpenType features, perfect for magazines, posters, advertising, corporate identity, and much more. Download Cyntho Next Slab Font Family From Mint Type Download Cyntho Next Slab Font Family From Mint Type

Download Now Server 1 Download Now Server 2 Download Now Server 3 Cyntho Next is a totally reworked typeface based on our previous bestseller Cyntho Pro. It also has a slab-serif counterpart - Cyntho Next Slab . Cyntho Next is a modern geometric sans based on a hybrid waterdrop-like shape with eight weights varying from Thin to Black and featuring Cyrillic. Download Cyntho Next Font Family From Mint Type Download Cyntho Next Font Family From Mint Type

Download Now Server 1 Download Now Server 2 Download Now Server 3 In the neighbourhood of  Bajos de Mena (Puente Alto, Chile) there are many stores and shops with signs and printed posters using typefaces such as Arial or Helvetica. These typefaces are used for all different purposes, from 8 pts to gigantics sizes, because local people would work with what they have within reach, also in terms of fonts. «What is Helvetica doing here?» that is the question that led me to design Mena Grotesk, a sans serif typeface for Bajos de Mena. Mena Grotesk is a Neo-grotesk typography made in the Chilean way. Gifted with a more humanist proportion, with sharper inner curves and softer outer curves, Mena Grotesk counts with the character to stand out in big sizes and enough control to not distract the reader: it is a typeface to be seen and to be read. Mena Grotesk is a full time worker fo

Download Now Server 1 Download Now Server 2 Download Now Server 3 Poligon based on a geometric sans serif inspired form Avant Garde and Futura where shapes are constructed from circles and straight lines. The family features eight high-contrast weights, ranging from thin to Black each weight with matching italic cuts, Every character has been crafted to give it a distinctive and individual feel.

Poligon Link developed from standard form, where each bottom and top line will connect to each other, In addition the contextual alternates be able to use the open and close space. 

This font is very playful to combined with various kinds of media. works equally well both in large small text or in headlines. Download Poligon Font Family From Letter Omega Typefoundry Download Poligon Font Family From Letter Omega Typefoundry

Download Now Server 1 Download Now Server 2 Download Now Server 3 Joane Stencil™ is Joane's fearless sequel. Mixes the elegancy of French didones, calligraphic endings, glyphic serifs and the split of the Stencil is treated very carefully. Thus its features convey a warm unique style. Moreover, it has powerful OpenType features for each style, including stylistic sets, extended language support, beautiful ligatures, contextual alternates, lining figures, oldstyle figures, fractions, and many more. Joane Stencil is perfectly suited for magazines headlines, branding, advertising, labels, web and packaging. Download Joane Stencil Font Family From Compañía Tipográfica de Chile Download Joane Stencil Font Family From Compañía Tipográfica de Chile

Download Now Server 1 Download Now Server 2 Download Now Server 3 Maipo Sans is a modern typeface inspired by the mountain landscape of Cajón del Maipo, Chile. Its forms are inspired by the first sans serif European Humanist fonts of the twentieth century along with a touch of reverse contrast. This typeface is specially designed for projects using extensive text blocks and striking ads. Maipo Sans puts a careful focus in the interpolation; therefore it gains expressiveness as its weight increases. That is why it has moderate and functional forms in its thinner weights, while in his heavier variants it gains freshness and sympathy. To make it more complete, this family has a complete Stencil Version with a lot of character and power. Maipos Sans is composed by 40 styles, 826 glyphs and Small Caps. Besides, it has powerful OpenType features for each style, including stylistic

Download Now Server 1 Download Now Server 2 Download Now Server 3 Alejandro Freitez’s first commercial typeface is inspired by contemporary serifs and newspaper typography. Calicanto is a compact typeface with strong serifs, symmetrical curves and a vertical axis. It has open counters and a generous x-height with slightly condensed characters and low contrast strokes. The design of its letters are simple (with a precise rationale), and it is ideal for combining different variables and typographic bodies, for digital and printed media. Each of the 12 variables has 750 glyphs (supporting more than 90 languages), with small caps, ligatures, lining figures by default, OldStyle and tabular, mathematical and currency symbols for each set of numerals, intelligent fractions, lower and upper numerals, glyphs sensitive to capital letters and circular numerals, among other OpenType fun